Ozu and Soseki (1)-individualism and contradiction A. Borrowing the scene

  • 2019.05.13 Monday
  • 22:47

JUGEMテーマ:日本映画の監督

 

 Yasujiro Ozu and Soseki Natsume are very similar. To some extent, everyone will think if you read Soseki after getting familiar with Otsu movie. There are words that are likely to appear in the Otsu Bunko, a lot of words and lines familiar with Ozu movie, and scenes that Ozu seems to have borrowed.


 Here, they are divided into “A. scene borrowing”, “B. speech borrowing” and “C. word borrowing” from the ones with high similarity, and the corresponding places of the two are extracted in order of production after Soseki “The Three-Cornred World”. I extracted the corresponding place of both sides. Of course, not all can be borrowed, but since A is carefully selected and narrowed down to six, the possibility is quite high, and B 81 and C 30 have you will see Otsu and Soseki look similar, even though they are not borrowed.


[[......]] is a Soseki work, [......] Otsu work. If there is a comment, it is written with * after that. In the Otsu movie, only "Beauty's Sorrows" refers to the script because the film does not exist.


※ For citation and search of literary works, we use the Internet digital library, Aozora Bunko http://www.aozora.gr.jp.
※ A long one without chapters such as Soseki's "The Miner" and lecture notes indicates the corresponding part when the whole is taken as 100 ([[The Miner 36/100]] is 36), and that in Otsu movie The position is expressed as hours, minutes and seconds.

 

Written notice.

I translated from Japanese original in machine translation software on the Internet. I translated it into Japanese with the same software and confirmed it, but I think there are still imprecise and unclear places.
 

 

The original text is below.

◆小津と漱石(1)−個人主義と矛盾A 場面の拝借


 

 

A. Borrowing the scene

 

1. Contradiction and God
[[The Miner 36/100]] Human character changes hourly. It is natural to change, and contradiction should come out when it changes, meaning that there are many contradictions in human character. A contradiction results in the same thing with or without a personality. ...... I can not understand for more than a minute when I heard from God. The god who understands this temple is only in his belly.

[Equinox Flower 1:23:51] "Whoever is such a contradiction? Even God is not. Life is full of contradictions. Everybody is. So ... even a scholar who said that the total contradiction is life." is there" 

* A is a scene borrowing, but only here is a line borrowing. In the similarity between Ozu and Soseki, the most important contradictions (see “Ozu, Soseki and Dostoyevsky” below) and God are taken up and the possibility is high.

 

2. It's all right now 
[[Kokoro my parents and I]] On the next day my father was better than I thought. I walked to the bathroom without asking him to stop. “It's all right,” I didn't feel like I was going to be in Tokyo at the end of the day when I left home because of my anxiety. I asked my mother, "Shall I look after a little more?" My mother asked, "Please do so."

[The End of Summer 1:04:05] "If you do that, I want you, my aunt, my uncle. What time will it be, I still know." (Father returns to sanity) " "Oh, I went to bed. A little shit," "I'm worried about it, but I can't wait."

* In this part of “The End of Summer” Noda Kougo's “A father of a certain girl who often came to play in acupuncture and moxibustion department suddenly collapsed in myocardial infarction, and when sons and daughters were tense and gathered, overnight The story was based on the fact that he had healed and healed it (3) (Speaking all about his own works & critiques), but the actual scene making might have been borrowed from Soseki.

 

3. propose 
[[Kokoro teacher and testimonials forty-five]] I suddenly said, "Please give me your wife and grandmother." Unlike a normal woman, a certain wife who was clearly determined to be a man, like a man, was a person who can speak very well in such a case. "Good morning, let's give it to me," he said. “It's not a terrific situation to give, but please do not hesitate. As you know, I'm a lone child without a father,” he asked afterward. ...... / I think that if you imagine me listening to a story from a distance, I think that I can not calm down somehow. At last I put on my hat on the front. Then again I met my grandmother under the slope. The lady who knew nothing was surprised to see me. When I take off my hat and ask, “Go home now,” I wondering if I had already recovered from my illness. I answered, "Yes healed, healed", and I turned to Zun Zu Suidobashi Suidobashi.

[Early Summer 1:26:06] "No, it's a good story about insects, but I think it would be good if you like Akikichi's bride to be like you." "Yes" ...... "Hey small mother, I like the rest of the market I like the rest" "Hey" "If I like it" "True" "Yes" ...... "Oh, it was good, it was good. I'm completely relieved No, I will not eat, I will not spare, "No, I'm going to spare," "Why, wait a little more. I'll be back, Yukichi." "But I'm not going back," " "Goodbye," "Good night, Good night, Thank you, thank you." (Excludes the entrance and passes by Okikichi) "Go back," "Dearly yesterday," ......, "Well, good night," "Well, Good night. "

* The proposed scenes are both Soseki and Ozu, which are the only ones listed here, and they are very similar. The main character is humble at the other party's home, not the person but his mother, while the other person is away, and the person who received it is humbled, and then encounters the other party because he can not calm down I pass each other. "Kokoro" heard the voice of the grandmother in Noriko (Haruko Hara). This scene is a climax I've read in a textbook, but it's hard to remember because it's a painful incident soon after.

 

4. How many years were born
[[Floating Weeds 5]] “Why not go away? It's 16 times different from Ken-chan, my sister is. Good man I'm Mishima's sheep, and my sister's four green. Ken-chan's melancholy Seven red Shichishiki "" I do not know what it is, but anyway it is 36 "

[Brothers and Sisters of the Toda Family 02: 05] "Jamea 4th Year" "That will be 5 years, what is your father," "But why are there many differences between your father and mother?" "8 Tsuyeo "Oh, my father sixty-nine" "Yes" "Hey, then my mother, I wonder if it is so," "Yes, it's a three-legged trap above me."

* The voice of Kazuko (Miyake Kuniko) and Ayako (Tsubouchi Yoshiko) were heard on this scene of "Floating Weeds".
Otsu has borrowed the details of "Brothers and Sisters of the Toda Family" from Satomi Ton's novel, so at a discussion meeting with Satomi who is watching this work, it becomes painful in front of him I confessed it myself. When Shojiro who has been cut by "Hat" censor crying, "Anjo's Brother" title and opening photo, "Amakara World" I can not sleep when I bite Gyokuro, "There are still many". Having received this, Satomi points out that the master of "Brothers and Sisters of the Toda Family" died and relatives appeared one after another at the beginning of his own "Four Leaves Clover" However, I have confessed that this person is actually a loan from Frobel (1 "Brothers and Sisters of the Toda Family" examination).

 

5. Light the other's cigarette with two small pieces of phosphorus
[[Light and Darkness, a novel 16]] Yoshikawa had a little surprising face and spit out the after-meal small dumplings he had used until now. Then I tried to take out the cigarette with a bag inside. Tsuda immediately rubbed the match on the ashtray. The first sight is useless and disappears quickly, as it was rushed to do so much. He rushed and rubbed the second, taking it to the end of Yoshikawa's nose.

[Floating Weeds 1:53:58] (As Juro Arashima searches for the size while smoking with tobacco, Sumiko walks up with Koma Juro and lights up the tobacco that he carries with his own. The first shot does not score because the opponent hates, but in the second shot, Koma Juro defeats and succeeds)

* "Floating Weeds" is a remake of the silent "A Story of Floating Weeds", and the silent one has the same scene as this, but it does not light the cigarette of the other party's cigarette, but the phosphorus size He is offering his stuff to him who is looking for, and the fire is lit by Kihachi (1:22:40). Ozu produced "Floating Weeds" after reading Soseki's "Light and Darkness, a novel" (to be precise before "Tokyo Story" starts shooting-see "Summary" below), so "A before remake" It seems that this difference with the Story of Floating Weeds has appeared. Furthermore, the influence is seen in the next "The End of Summer".

 

6. Newcomers to the meeting place
[[Light and Darkness, a novel hundred sixty-one]] [I--] / When Tsuda spoke, a newcomer with a footsteps approaching came to a stand by their dining table. ...... / When I realized that it was a long-haired young man who had been with Kobayashi in the corner of Odori last time, Tsuda was even more astonished. ...... "Hara-kun, draw a good picture, you. Buy a piece and do it now. I'm troubled now, I feel sorry." ...... "I don't know anything about it." "No, that's not it, hey. Hara: Take it and see if it happens.

[The End of Summer 04: 27] (appears after taking a seat off for matching work) "Hey, I do not have Kitagawa" ... "Hello, I'm helping out of my friend's art gallery" "Ah, yes, isn't it?" "Do you have a picture of a cow in your shop?" "Are you a Japanese painting or is it?" "I will leave it to you "Oh, I will look for you"

* After Hara of "Light and Darkness, a novel" disappeared once, I felt suspicious when I appeared as a newcomer, but if I thought that there would be no talk of selling or buying pictures, I still thought It came out. It is also similar to hesitation that the other party of the first meeting is made to buy. A painter named Hara will be the original material of Kohayagaw Akiko (Hara Setsuko) who is helping the gallery at "The End of Summer". In fact, that is quite unnatural. The participants in the art gallery have not appeared at all, and the content seems to be only for this scene. At "Late Autumn" Akiko Miwa (setuko Hara) works at the Fashion Academy, but this involves a story of a photo with the director's couple.

  (The text ends here)


 

 

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  • 2020.07.22 Wednesday
  • 22:47
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